Selected works
37º 40' 22.14", Film, 2011 - From the 2011 exhibition 'Incredible velocity', MARS Gallery
From the 2011 exhibition 'Incredible velocity', MARS Gallery
'Speed Lab', 2011
Digital Print, 420x590mm
From the 2011 exhibition 'Incredible velocity', MARS Gallery
'Eddy', 2011
Digital Print, 420x590mm
From the 2011 exhibition 'Incredible velocity', MARS Gallery
'Incredible Velocity', 2011
Digital Print, 420x590mm
From the 2011 exhibition 'Incredible velocity', MARS Gallery
'Somewhere over the Calder, way up high', 2011
Digital Print, 420x590mm
From the 2011 exhibition 'Incredible velocity', MARS Gallery
'Incredible Velocity', 2010
Digital Print, 420x590mm
Speedmaster 3.mp3
Sound retrieved from the sound-Stratum...The Fall of Adelaide, 2010
From the 2010 exhibition 'The lost City of Adelaide II', Westspace
The Sound-Sratum
The Sound-Stratum was discovered by Explorer and Huntsman James Kenyon and Archaeological Sonicologist Michael Armitage in 1982, and is sometimes referred to as the Kenyon-Armitage Stratum. It is essentially a sedentary deposit formed by the residue of sound waves. Layer upon layer of sound has been deposited over history and preserved in a manner not unlike fossils. One can actually hear Krakatoa exploding, and the battle cries and the shrieking barbarians at the gates of Rome.
The destruction of Adelaide’s roads, although 1000 years ago, was so loud that even the revving of the Speedmaster’s car engines was audible after filtering and processing. If you listen closely, you can hear some of history’s other great sound events, such as Jimi Hendrix playing the Star-Spangled, Churchill speaking to parliament and echoes of Mozart. These sound were so entrenched in the stratum, that it was impossible for them to be removed.
From the 2010 exhibition 'The lost City of Adelaide II', Westspace
'If you were to drive past a pylon at very high speeds', 2010
mild steel, 2000x800mm
From the 2010 exhibition 'The lost City of Adelaide II', Westspace
'Tethered Pylon', 2010
Lasercut mild steel, enamel, 800x400mm
From the 2010 exhibition 'The lost City of Adelaide II', Westspace
Detail of dry Creek, 2010
Digital print, Letraset, stickers, pen, pencil, 800x600mm
From the 2010 exhibition 'The lost City of Adelaide II', Westspace
'Meadows Junction', 2010
Digital Print, letraset, Stickers, Pen, Pencil, 800x600mm
From the 2010 exhibition 'The lost City of Adelaide II', Westspace
'Junction of North and North East', 2010
3mm Mild Steel, 1500mmx1200mm.
'Adelaide Space Junk', 2010
Steel, electronics, 1x1x1m
Installation for Castlemaine Festival, 2009
'Incredibly far Away'
LEDs, Magnets, Batteries on a foundry wall
From exhibition 'Morphed', Sophie Gannon Gallery
'South and South Eastern', 2008
Mild steel, enamel, 1000x1100mm
From exhibition 'Morphed', Sophie Gannon Gallery
'South Eeastern'
Mild steel, enamel, 1000x1100mm
Piece selected for the 'Keith and Elizabeth Murdoch travelling Fellowship' 2007
'Extremely Quiet and Incredibly far Away'
Perspex, LEDs , 3000x2000mm
Extremely Quiet
2007, Clear 10mm acrylic dimensions variable
from the 2006 VCA Graduate Exhibition, Honours Year
Yellow Freeways, 2006
3-D model, Digital Print, 500x400mm
from the 2006 VCA Graduate Exhibition, Honours Year
Translucent Freeway, 2006
3-D model, Digital Print, 500x400mm
from the 2006 VCA Graduate Exhibition, Honours Year
Freeway in Cathedral, 2006
3-D Digital Print, 500x400mm
From 2005 exhibition 'Scaffold', Alliance Francaise Gallery
'A pocket full of Posey', 2005
Mild Steel, 1020x500mm
From 2005 exhibition 'Scaffold', Alliance Francaise Gallery
'A pocket full of Posey', 2005
Mild Steel, 1020x500mm
From 2005 exhibition 'Scaffold', Alliance Francaise Gallery
'We All Fall Down', 2005
Mild Steel, 2200x1100mm
From 2005 exhibition 'Scaffold', Alliance Francaise Gallery
'Ring-aRing-a-Rosey', 2005
Mild Steel, 1500x600mm
'Albury Men', 2004
Photograph, 800x400mm
'Pylon', 2004
Photograph, 800x400mm
